Antonio CanovaItalian Neoclassical Sculptor, 1757-1822 | |||
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Recreation by our Gallery la Recreación por nuestra Galería Pintura Identificación:: 32542 Vea nuestra galería en Suecia |
la Recreación por nuestra Galería mk79 1789-1790 mk79 1789-1790 mk79 1789-1790 |
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Recreation by our Gallery la Recreación por nuestra Galería Pintura Identificación:: 32614 Vea nuestra galería en Suecia |
la Recreación por nuestra Galería mk79 1798 mk79 1798 mk79 1798 |
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Marble Jaspea Pintura Identificación:: 38548 Vea nuestra galería en Suecia |
Jaspea mk138 160x65x85cm In the Koniglichen Antikensamm-lung since 1830 transferred to the Nationalgalerie in 1878 mk138 160x65x85cm En el Antikensamm-Pulmón de Koniglichen desde que 1830 transferido al Nationalgalerie en 1878 mk138 160x65x85cm In_the_Koniglichen_Antikensamm-lung_since_1830 transferred_to_the_Nationalgalerie_in_1878 |
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Tomb of Pope Clement XIII Pintura Identificación:: 62405 Vea nuestra galería en Suecia |
Tomb of Pope Clement XIII 1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious 1792_Marble_Basilica_di_San_Pietro,_Vatican_Here,_too,_Berninian_references_are_not_lacking,_as_in_the_figure_of_the_pope,_but_the_overall_setting_places_the_whole_amongst_the_finest_works_of_Neoclassical_in_general,_not_just_in_Rome._The_asymmetrical_figures_of_Religion_and_Genius_generate_a_circular_movement_that_pervades_the_entire_composition._Author:_CANOVA,_Antonio_Title:_Tomb_of_Pope_Clement_XIII_Form:_sculpture_,_1751-1800_,_Italian_,_religious |
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The Three Graces Dancing Pintura Identificación:: 62546 Vea nuestra galería en Suecia |
The Three Graces Dancing 1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological 1799_Tempera_on_paper_Canova_Museum,_Possagna_Canova_mentioned_"various_ideas_on_dances,_the_play_between_nymphs_and_cupids,_muses,_philosophers,_etc.,_sketched_exclusively_for_the_artist's_own_study_and_enjoyment."_There_is_little_doubt_he_was_referring_to_the_tempera_cycle_at_Possagno_and_similar_sketches_now_in_Bassano._Picking_up_the_themes_and_techniques_discovered_in_Herculaneum,_Canova_created_brightly_coloured_mythological_figures_that_stand_out_against_the_black_background._These_sketches_are_the_forerunners_of_themes_and_figures_he_would_later_sculpt._The_picture_shows_a_detail_from_a_frieze._Author:_CANOVA,_Antonio_Title:_The_Three_Graces_Dancing_Form:_graphics_,_1751-1800_,_Italian_,_mythological |
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| Artista Previo Próximo Artista | ||||||||||
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| Antonio Canova | ||||||||||
| Italian Neoclassical Sculptor, 1757-1822 | ||||||||||
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